Well Now My Pretty
James Hadley Chase
WELL NOW, MY PRETTY . . .
One
ONE OF the major attractions of Paradise City was the Aquarium. He had asked her to meet him by the Dolphin pool at fourthirty p.m. and she thought it was a pretty crummy place for a rendezvous. She hated mixing with the tourists who made Paradise City at this time completely unbearable.
During the third week of February when it was hot, but not too hot, it was the fashionable time for the Texans, the New Yorkers, as well as the South Americans, to come in a never-ending stream of overpoweringly rich vulgarity. Between the hours of four and five, after the siesta, and when there was nothing much to do until the casino opened, crowds of tourists visited the cool, dimly lit caves that housed the most spectacular aquarium in the world.
She moved through the crowds, her green eyes restless and uneasy, her small body shrinking a little inside her simple cotton frock, as she made contact with the fat and the old, the raddled and the wrinkled who screamed, yelled, pushed and jostled to gape at the tropical fish that gaped back at them with equal incredulity.
Could she ever hope to find him here? she wondered, suddenly angry that he should have suggested such a meeting place. She felt hot fingers cup one of her buttocks and squeeze. She jerked forward, not looking over her shoulder. This was something she had grown accustomed to. The old and the too rich were prone to bottom pinching. She had long ceased to care. It was a hazard she accepted in return for a neat, well-proportioned body and an attractive face . . . you can't have it both ways, she had often told herself. You were either plain and non-sexy or you had bruises. She preferred the bruises.
She made her way towards the Dolphin pool, aware that her heart was thumping, aware too of a sick feeling of fear. As she walked, her eyes anxiously scanned every face that appeared out of the dim light, praying she would meet no one she knew or who knew who she was. But as the milling noisy crowd surrounded her, pushing, laughing and yelling at each other, she began to realise that his choice of a meeting place was clever. None of her friends, no one from the Casino, would dream of coming here to be jostled by this sweating, vulgar crowd of tourists, anxious only to kill an hour or so.
She edged her way into the big cave that housed the dolphins. Here, the crowd was dense. She could hear the big creatures splashing in the water as they dived for fish thrown to them. There was a dank smell in the cave, mixed with the smell of expensive perfume and body sweat; the noise of the crowd as it enjoyed itself, beat against her eardrums, making her cringe.
Then she saw him.
He came out of the crowd with his gentle smile, his white panama hat in his hand, his tropical cream-coloured suit immaculate, a blood-red carnation in his buttonhole. He was small and slightly built: a man in his early sixties, with a lean brown face, grey eyes and a thin mouth that was constantly smiling. His thinning blond hair was white at the temples and his nose was the beak of a hawk: a man she now distrusted, who was learning to fear, but who attracted her with the pull of an electro-magnet to steel.
"Well now, my pretty . . ." he said, pausing before her. "So we meet again."
His voice was soft, but clear. She had never had any difficulty in hearing what he said no matter where they had met, even against the noisiest of backgrounds. This was always his greeting, "Well now, my pretty . . ." She knew it was as insincere as an alcoholic's promise but, like the bottom pinching, she had ceased to care.
When they had first met, he had told her his name was Franklin Ludovick. He had been born in Prague, and was a freelance journalist. He had come to Paradise City to write an important profile on the Casino. This was not surprising. Many journalists had come to write about the Casino. It was the top glamour spot of Florida. At this period of the high season, a million dollars could, every night, cross thegreen-baized tables, more often the croupiers' way than the punters . . . but who cared?
Ludovick had approached her one afternoon while she was sun bathing on the beach. His harmless, kindly manner, his deference to her youth and his smile captivated her. He had explained that he knew she worked at the Casino. He gave her an embossed card, bearing his name with the magic New Yorker magazine added as his address and his reference. He explained that he was looking for inside information about the Casino. He sat at her feet on the soft sand, his panama hat resting almost on the bridge of his beaky nose as he talked. He told her he had had an interview with Harry Lewis, the manager of the Casino. His face screwed up in a comical grimace of despair. What a man! How secretive! If he had to rely on Harry Lewis's information, he would never produce anything to satisfy the New Yorker's tremendously high standards. He felt he could approach her. She worked in the Casino's vault with a number of other girls. This, he had found out. He looked up at her, his grey eyes mischievous. Well then, my pretty . . . how often had she heard him use this phrase that she had come to fear and to distrust? Suppose you tell me what I want to know and I, in my turn, will pay you for the information? What shall we say? The New Yorker is a rich magazine. Five hundred dollars? How about five hundred dollars?
She had caught her breath. Five hundred dollars! She was hoping desperately to get married. Terry, her boy-friend, was still a student. They had both agreed that if they could only raise five hundred dollars, they could take a chance and get married, and at least have a one room walk-up . . . but how to get five hundred dollars? And here, now, was this harmless little man actually offering her just this sum to tell him the secrets of the Casino.
She was about to say an immediate yes when she remembered that warning clause in her contract — a contract that everyone working for the Casino had to sign. No member of the staff should ever talk about the Casino's affairs. The penalty was instant dismissal and possible prosecution.
Seeing her hesitate, Ludovick had said, "I know what you have signed, but you need not be afraid. Think it over. No one will everknow who gave me the information. After all, five hundred dollars is a useful sum. There could be more . . ."
He had got to his feet, smiled at her and walked away, swinging his panama hat, stepping around the large, overfed carcasses of the rich, laid out to broil in the sun with their knotted veins, their hammer toes and their glistening fat.
That evening, when she had had time to think over his suggestion, he had called her on the telephone.
"I have spoken to the Editor. He is quite willing to pay a thousand. I am so pleased. I thought he might be difficult. Now, my pretty, can you help me for one thousand dollars?"
So, with a sick feeling of guilt and of fear of being discovered, she had helped him. He had given her five hundred dollars. The other five hundred would come, he explained with his fatherly smile, when she had given him all the necessary information. And as he probed, his questions becoming more and more disturbing, she had come to realise that he might not be after all a journalist. He might be a man planning to rob the Casino. Why so much interest in the number of guards, the amount of money that went into the vault each night and the security system . . . surely this was the kind of information that a man planning to rob the Casino, would need? Then this final request: the need for the blueprints of the Casino's electrical system. He had asked her for this three afternoons ago while they sat in his shabby Buick coupe on a lonely beach on the outskirts of Paradise City. At this request, she had rebelled.
"Oh, no! I can't give you that! You couldn't possibly want that for an article! I don't understand. I'm beginning to think . . ."
He had smiled a little crookedly, and his dry, clawlike hand had dropped gently on hers, making her draw away and shiver.
"Don't think, my pretty," he said. "I need the blueprints. Don't let us argue about it. My magazine is willing to pay. Shall we say another one
thousand dollars?" He drew an envelope from his pocket,"And here is the second five hundred I owe you . . . you see? And now you will have yet another one thousand dollars."
As she took the envelope, crushing it into her bag, she knew this man was really dangerous, that, in spite of his appearance, he was planning a robbery and he was using her to make an impossible robbery possible. If she had another one thousand dollars she wouldn't have to bother to get to the Casino every evening at seven and remain in the vault until three in the morning ever again. She would be free to marry Terry. Her whole drab life would be completely changed.
She abruptly decided if this little man was really planning to rob the Casino, she didn't want to know about it. But she did want another one thousand dollars. She hesitated for perhaps seventy seconds, then she nodded.
But it wasn't easy. Finally, she did manage to get the blueprint he needed. This was only because she had access to the general office files when she happened to work there during the day for the extra money. This smiling little man had shown his brilliance when he had chosen her to help him. But this man, whose real name was Serge Maisky, was as cunning and as dangerous as a snake. He had come to Paradise City ten months ago. He had watched and inquired discreetly about the four girls who worked in the Casino's vault. He had finally decided to concentrate on this attractive little blonde whose name was Lana Evans. His selection proved that his instinct and judgement were faultless. Lana Evans was to give him the key to the biggest and most spectacular Casino robbery in the history of all Casino robberies.
So now, here they were, face to face, surrounded by a milling crowd of tourists in the dim-lighted Aquarium that housed, among many fish, performing dolphins. He smiled at her, taking her hand in his dry claw and leading her away from the mob to the comparative quietness of a tank that contained a bored, sad- looking octopus.
"Were you successful?"
His smile was as immaculate as his clothes, but Lana Evans could sense his desperate anxiety, and this anxiety made her frightened.
She nodded.
"Splendid." His anxiety turned off like the change from red to green of a traffic light. "I have the money . . . all of it. One thousand beautiful dollars." The grey eyes swept past her, examining the faces of the tourists near them. "Give it to me."
"The money first," Lana Evans said breathlessly. She was very frightened and the dank atmosphere of the cave made her feel faint.
"Of course." He took a fat envelope from his hip pocket. "It is all here. Don't count it now, my pretty. People will see you. Where are the blueprints?"
Her fingers closed over the envelope, feeling the crinkling of the bills, out of sight, but now in her grasp. For a brief moment she wondered if he were cheating her, but decided to take the risk. There seemed a lot of money in the envelope. She wanted to get this dangerous transaction finished quickly. She gave him the blueprint, several pages of complicated electrical wiring that covered all the fuse boxes of the Casino's lighting circuit, the air-conditioning system and the many burglar alarms. He took a very quick look at the pages, half turning, sharing his inspection with the octopus that moved away, taking shelter behind a rock.
"There . . ." He put her betrayal into his hip pocket. "Now we have completed a very happy transaction." He smiled, his slate-grey eyes suddenly remote as buttons of dirty snow. "Oh . . . one more thing . . ."
"No!" Her voice sharpened. "Nothing more! I don't care . . ."
"Please." He raised his hand, placating, soothing. "I'm not asking for anything more. I am very satisfied. You have been so co-operative, so pleasant to work with, so reliable . . . may I make my own personal contribution . . . a modest, trifling gift?" From his pocket, he took a small square packet, neatly tied with red and gold ribbon with a gold label bearing the magic name Diana. "Please accept this . . . a pretty girl like you should take care of her hands."
She took the packet, startled by this unexpected kindness. Diana hand cream was created and manufactured only for the very rich. Holding the packet in her hand, she felt even richer than he had made her feel when he had given her the envelope.
"Why . . . oh, thanks . . ."
"Thank you, my pretty . . . goodbye."
He melted into the crowd like a small, kindly ghost: one moment he was smiling at her, the next he was gone. He disappeared so quickly, it was hard to believe he had ever been standing before her.A large, red-faced man wearing a yellow and blue flowered shirt appeared before her, grinning.
"I'm Thompson from Minneapolis," he said in a loud, booming voice. "Have you seen those goddam dolphins? Never seen anything like them in my life!"
She stared blankly at him and edged away, then, when she was sure she was out of reach of his hands, she turned and made her way quietly towards the exit, clutching on to the small box of hand cream in which lay her death.
* * *
They came to Paradise City, separately, stealthily, like cautious rats coming out into the sunlight.
At this period of the high season, a constant police watch was kept on the airport and the railroad station. There were also police check points outside the City on the three major highways. Police officers with photographic memories waited at the various barriers, their hard, cop eyes staring searchingly at each passenger coming through the check points. Every now and then a hand would be raised and a passenger stopped. He or she would be whisked out of the slowly moving line of passengers and taken aside.
The dialogue was always the same: "Hello, Jack [or Charlie or Lulu] . . . got a return ticket? Better use it: you're not wanted here."
The same form of dialogue was used at the highway check points and cars were manoeuvred out of the queue and sent back towards Miami.
This police surveillance prevented hundreds of big and small criminals from operating in the City, saving the rich from being fleeced.
So the four men who had come in answer to an intriguing summons and who had been warned of the police cordon came separately and with care.
Jess Chandler, because he had no police record, came by air. This tall, handsome, debonair looking man walked without hesitation towards the police barrier, confident that his false passport and his glibly constructed background of a wealthy coffee grower with estates in Brazil would satisfy the police scrutiny.
At the age of thirty-nine, Chandler was now recognised by the underworld as one of the slickest and smartest con men in the racket. He traded on his movie-star appearance. His lean brown face, his short nose and full lips, his high cheekbones and his large, dark eyes gave him a sensual, swashbuckling look of a confident womaniser, and some of the women, looking at him, knew this, feeling a pang of desire as they moved with him in the long queue towards the heat and the sunshine that waited for them outside the airport building.
The two waiting police officers regarded him. Chandler stared back at them, his eyes bored, his expression slightly contemptuous. He showed no fear and fear was what the officers were looking for. After only a brief glance at his passport, they waved him through to the waiting line of taxis.
Chandler hefted his handbag from one hand to the other and grinned. He knew it would be easy . . . it had been easy.
Mish Collins had to be much more careful. He had only been out of jail for two months and every cop house had his photograph. It had taken him some hours to make up his mind how best he could get past the police cordon without being asked awkward questions. Finally, he had joined a sight-seeing tour that left Miami for a tour of the Everglades and then finally a night at Paradise City, before returning to Miami. In the packed coach, loaded with noisy, happy, slightly drunk tourists, he felt comparatively safe. He had brought his harmonica with him. Ten minutes before reaching the police check point, he had begun to play to the delight of his companions. The instrument, cupped in his huge, fleshy hands, completely shielded his face. He had picked a seat with three other big fleshy men at the back of the coach and the police officer who climbed into the coach merely glanced at him, then con
centrated on the other sweating, bovine faces that all grinned back at him.
In this way, Mish Collins arrived safely in Paradise City, a man who the police would have immediately turned back had he been recognised, for Mish Collins was not only one of the top safe blowers in the country, but had also earned a reputation that made many burglar alarm manufacturers quail with apprehension.
Mish Collins was forty-one years of age. He had spent fifteen years of his life in and out of jail. He was massively built, fat, with a lumpy muscular body of great strength. His red hair was beginning to thin and there were lines of hard living, deeply etched on his coarse, rubbery face. His small, restless eyes had a cocky, cheerful light of cunning that somehow made the unwary take to him.
When the bus pulled into the bus station, he drew the Courier aside and told him he wouldn't be taking the return journey.
"I've remembered I have a buddy here," he explained. "You cash in my return ticket and keep the change for yourself. You certainly have earned it," and before the courier could even thank him, Mish had disappeared into the swirling crowd.
Jack Perry came in his own Oldsmobile Cutlass convertible, now a little shabby, but still a nice looking car. He was aware that the finger-print department at Washington had one of his finger-prints; only one, the right forefinger, and this was the only mistake he had ever made during a long life of crime, a secret he kept to himself like a man nursing a cancer. At least, they had no photograph of him so he approached the police check point satisfied that the two bulls checking the cars would have no idea they were about to encounter a professional killer.